“The first edit was the campaign. We didn't need a reshoot, we didn't need revisions — we just needed the calendar to start.”
A small studio shooting editorial stills, brand campaigns and cinematic reels. Sydney and the Gold Coast — anywhere by arrangement.
Stills and motion under one roof.
Considered stills for magazines, lookbooks, long-form features and personal series. Pre-production is built in — call sheet, shot list, locations confirmed before the camera comes out. Delivered as a curated edit with optional raw scans for archive.

Visual identity work for product launches, seasonal pushes and brand refreshes. Stills and motion are planned together so the campaign reads as one piece across web, social and print. Usage rights are quoted up front, not negotiated after delivery.

Short-form motion built for the platforms that matter — vertical for social, 16:9 for site headers. Sound-led, story-led, cut for attention. Includes treatment, shot list, on-set direction, edit and grade.

Single-subject sessions for founders, talent, athletes and personal brand. Studio with full lighting kit or on location with controlled portable lighting. Two to three retouched hero frames plus the wider edit.

When the production needs a director rather than just a camera. Treatment, mood, talent, locations, schedule. Brought in early enough that nothing on the day is improvised.

Colour, retouch and finish handled in-house so the final frames look like the brief intended. RAW selects, finished hero frames and a full delivery in your preferred formats. Source files held for twelve months.

A simple, honest process — start to finish.
- 01
Brief
Send the ask — subject, deliverables, dates, budget. A scoped quote comes back within forty-eight hours.
- 02
Pre-production
Treatment, shot list, call sheet, locations confirmed. Nothing on the day is improvised.
- 03
Shoot
Tight schedule, minimal fuss, one camera. Selects shared within a week of wrap.
- 04
Post
Colour, retouch and finish handled in-house to the same standard as the capture itself.
- 05
Deliver
Full gallery, finished films and a clear statement of usage rights. Source files held for twelve months.
Brief
Send the ask — subject, deliverables, dates, budget. A scoped quote comes back within forty-eight hours.
Pre-production
Treatment, shot list, call sheet, locations confirmed. Nothing on the day is improvised.
Shoot
Tight schedule, minimal fuss, one camera. Selects shared within a week of wrap.
Post
Colour, retouch and finish handled in-house to the same standard as the capture itself.
Deliver
Full gallery, finished films and a clear statement of usage rights. Source files held for twelve months.
One person, on purpose.
- Direct line to the photographer from first email to final delivery.
- Pre-production done properly — the day on set is the easy part.
- Stills and motion under one roof, on one schedule.
- Usage rights itemised in the quote, never negotiated after the fact.
One person, on purpose.
No account manager, no creative committee, no junior on the camera. You email me, I quote it, I shoot it, I deliver it. Same person from first message to final files.
How it works and what it costs.
A ninety-minute single-subject session — studio or on location. Two to three retouched hero frames plus the wider edit. Personal or editorial use included.
- Ninety-minute session
- Two to three retouched heroes
- Wider edit gallery
- Personal / editorial licence
A one-day brand shoot with stills and short-form motion captured together. Includes pre-production, on-set direction, edit and a twelve-month commercial licence.
- Pre-production & treatment
- Stills + vertical motion in one day
- Edit, colour and retouch
- Twelve-month commercial licence
- Forty-eight hour reply window
The work speaks. So do the people we’ve done it for.
“Most photographers turn up and start shooting. He turned up and started listening. The frames followed.”
“Pre-production was the difference. By the time we were on set, everyone knew what we were making. The day ran itself.”
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Sydney and the Gold Coast as the home bases, with travel to the rest of Australia by arrangement. International commissions are quoted case by case.
Selects within a week. Finished gallery within two to three weeks depending on scope. Cinematic films take longer — usually four to six weeks including colour and sound.
Always. Every quote itemises the licence — channels, territory, duration. Buyouts and extensions are available with a stated price up front, never as a surprise at the end.
Yes — and the day is planned for it from the call sheet. Stills and motion run on a shared schedule with the same kit. More efficient than separate shoots and the look stays consistent across both.
Send a brief through the contact form. A scoped quote comes back within forty-eight hours, or a polite no if it isn't the right fit. A signed quote plus a deposit holds the date.